Offres de stage - Programme d'hiver
Opening on 30 April 1939, New York’s World Expo 1939 promoted “Building the World of Tomorrow” in a period marked by the Great Depression and spectre of upcoming war. While many futuristic pavilions and displays enthralled visitors, one of the most outlandish was ‘The Dream of Venus’, a surrealist funhouse created by Salvador Dalí. On the occasion of the 80th anniversary of the Expo and the 30th anniversary of the artist’s death, Montse Aguer, the Director of the Dalí Museums, recounts how the pavilion transgressed the modernism of the Expo and explains the significance of this work to Dali’s personal vision.
The XXII Triennale di Milano, themed “Broken Nature: Design Takes on Human Survival” will open to the public on 1 March 2019. In an interview with the BIE, the President of the Triennale di Milano Foundation, Stefano Boeri, and the Curator of the XXII Triennale, Paola Antonelli, explain how this 22nd edition will explore the role of design in addressing the compromised bonds that connect humans to the natural environment.
For participating countries, World Expos are major platforms for national branding, offering a unique opportunity to showcase themselves to a large public audience. With almost two years until the next World Expo in Dubai, the BIE interviews Ambassador Nicolas Bideau, Head of Presence Switzerland, Dietmar Schmitz, Commissioner General for Germany at Expo 2020 Dubai, and Dr. Jian (Jay) Wang, director of the USC Center on Public Diplomacy, to gain three different insights into nation branding at World Expos.
Seattle’s iconic Space Needle – built as the centrepiece of World Expo 1962 – recently unveiled a dramatic $100 million “spacelift”, notably featuring a revamped observation deck and the world’s first revolving glass floor. On this occasion, the BIE interviewed Knute Berger, consulting historian at the Space Needle and Seattle-based author, journalist and commentator.
La Belgique célèbre cette année le 60e anniversaire de l’Exposition Universelle de 1958. Dans un entretien au BIE, Henri Simons, directeur de l’Atomium et du ADAM - Brussels Design Museum, explique pourquoi cet événement a marqué plusieurs générations et engendre aujourd’hui encore un réel engouement.