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The Bureau International des Expositions (BIE) is the intergovernmental organisation in charge of overseeing and regulating World Expos, Specialised Expos, Horticultural Expos and the Triennale di Milano.

Seville’s Pavilion of the Future to host Andalusia’s unique Archive Centre

While the legacy of a World Expo is often judged in the weeks and months following its closure, the long term contribution to the host city continues to evolve over decades. The latest announcement from Seville - that the Pavilion of the Future from Expo 1992 will become a regional Archive Centre – proves this, showing that even 24 years later, a pavilion built for the Expo can continue to attract interest and investment.

The Pavilion of the Future was one of the largest and most iconic buildings built for Expo 1992 in Seville, hosting the thematic areas of the Universe, Telecommunications, Energy and the Environment. Designed by the architects Martorell, Bohigas, Macklay and engineer Peter Rice, the 25,019 m2 building features a waveform roof and a free-standing façade composed of 11 semi-circular stone arches made from Rosa Poriña granite from Galicia. Located on the city’s Isla de la Cartuja, the Pavilion of the Future neighbours the ‘Seville Rocket’, a full-scale replica of the Ariane Four launch system.

Superman Day: when a comic superhero came to life

The New York World’s Fair, which celebrated the 150th anniversary of George Washington’s presidential inauguration, was a momentous occasion for New Yorkers and for the world, attracting some 45 million visitors over its two seasons in 1939 and 1940. The Expo was also a remarkable event for fans of superheroes, as it staged the first ever appearance of Superman. Previously confined to comic books and radio shows, it was on 3 July 1940 that visitors could come to the Expo and for the very first time see the superhero in the flesh.

On this day, known as Superman Day, the cost of a children’s ticket to the Expo was reduced from 50 cents to 5 cents, encouraging visitors to attend. The event was the brainchild of publicist Allen ‘Duke’ Ducovny, with the aim of attracting more visitors to the Expo and boosting sales of the 100-page special edition of DC’s New York World’s Fair Comics, which was only on sale on the Expo site.

Japan's largest Ferris Wheel opens in Osaka's Expocity

Expo 1970 in Osaka may have closed to the public more than 45 years ago, but the former Expo site continues to attract visitors. Today, locals and tourists alike have another reason to visit, with the opening of a 123-metre Ferris wheel – the largest in Japan and fifth largest in the world - in Osaka’s Expocity. The Redhorse Osaka Wheel provides riders with a breathtaking view of the Tower of the Sun, the iconic symbol of Expo 1970.

Since Expo 1970 came to an end, the original site has been partly preserved and partly renovated, allowing it to hold onto the Expo’s legacy while offering new activities to attract visitors. The 330-hectare site boasts a range of attractions, including the memorial park, a children’s museum, and ‘Expocity’ – Japan’s largest commercial complex in which the Redhorse Osaka Wheel is located.

The Hive comes back to life in Kew Gardens

After ending its highly praised exhibition as the UK Pavilion at Expo 2015 Milan, The Hive, winner of the BIE gold medal for architecture and landscape (pavilions less than 2,000m2), is starting a new life in the Royal Botanic Gardens at Kew, in London. The iconic structure will be open to the public tomorrow, Saturday 18 June.

Expo 2015 Milan was organised under the theme ‘Feeding the Planet, Energy for Life’, and the Hive was the centrepiece of the UK’s participation in the Expo. The pavilion, which received over 3 million visits during the Expo, was designed by renowned architect Wolfgang Buttress and was dedicated to the role of bees in carrying out pollination. The contribution of these insects as pollinators is necessary for the reproduction of many plant species, making bees crucial to the global ecosystem and to the food chain. The Hive’s message draws attention to the importance of protecting bee species.

Barcelona celebrates the 30th anniversary of the reconstruction of the Mies van der Rohe’s pavilion

Today marks 30 years since the Mies van der Rohe’s pavilion was rebuilt in its original place for the enjoyment of Barcelona’s residents and in homage to its architect.

The Pavilion, originally designed for the World Expo 1929 by the prominent German architect Ludwig Mies van der Rohe, served as the German national pavilion and was the venue for the reception of King Alfonso XIII of Spain as well as many German political figures.

Expo 2015 Milan site reopens to public with Triennale exhibition

Over six months after Expo 2015 Milano closed its gates and international participants lowered their flags, the Expo site partially reopened today to host a range of activities for the summer period. Residents and visitors alike are now able to access a 19-hectare area of the site for free, with the key attraction being the ‘City after the City’ exhibition series, which is part of the six-month XX1 Triennale di Milano design fair.

The area, which has been dubbed ‘Experience rESTATEaMilano’, includes the central part of the Expo site featuring the symbolic Tree of Life as well as the Palazzo Italia and the Lombardy pavilion. The zone is open between 3pm-11pm on Fridays, Saturdays and Sundays between 27 May and 30 September.

Zaragoza's Bridge Pavilion reopens to the public

The long term architectural contribution of an Expo to the city in which it took place – its legacy – is of significant interest to residents and visitors to the city. Planning the physical legacy of the Expo as part of the transformation that it brings to the city is a prerequisite to hosting a successful Expo.

Zaragoza’s iconic Bridge Pavilion (Pabellón Puente), designed by Zaha Hadid for Expo 2008, is one such monument that continues to stand to this day. It reopened to the public on 6 May 2016 and will remain open until 6 November. The pedestrian bridge is open from Monday to Sunday from 10am to 2pm and from 5pm to 9pm.

The story behind the Palazzo dell’Arte

As the home of the Triennale di Milano, the Palazzo dell’Arte is a permanent edifice to the Italian design tradition as well as its modern day hub. The Palazzo, which is also known as the Palazzo della Triennale or the Palazzo Bernocchi, features research centres, conference rooms, bookshops, theatres, restaurants and a bar. It is located at the heart of the Italian design scene in Parco Sempione in Milan.

The history of the Palazzo dell’Arte goes back to Italian senator and philanthropist Antonio Bernocchi, who was a leading figure in the Italian textile industry. The Bernocchi brothers’ company, Bernocchi SpA, commissioned the Luminator Bernocchi, an innovative lamp that was both a work of art and a practical solution to illuminate garments from above without burning the fabric. The Luminator, which was designed by Luciano Baldessari, was showcased in the Italian Pavilion at the 1929 World Expo in Barcelona, and its success as an object of industrial design inspired the idea behind the establishment of a museum dedicated to design as well as art.

Hollywood s’invite à l’Expo Century 21

Si l'Expo « Century 21 », qui a eu lieu à Seattle en 1962 était principalement destinée à valoriser la recherche scientifique américaine et son hégémonie dans le domaine de la conquête spatiale, elle fût aussi le lieu de tournage d'une comédie musicale produite par la Metro Goldwyn Mayer avec pour tête d'affiche le célèbre acteur et chanteur Elvis Presley. En effet, l'intrigue de «Blondes, brunes, rousses » (« It happened at the World's Fair » en anglais), réalisé par Norman Taurog, se déroule sur le site de l'Exposition universelle de Seattle dans un décor à la fois très futuriste mais aussi représentatif de la société américaine des années 60'. On y suit les péripéties de deux amis, Danny et Mike, qui, se retrouvant criblés de dettes, décident de se rendre à l'Exposition universelle de Seattle pour trouver du travail.

L'équipe de tournage arrive à Seattle le 5 Septembre 1962, alors que l'Exposition bat son plein depuis 5 mois déjà. Cette date n'a pas été choisie au hasard puisque c'est précisément le jour de la rentrée des classes. Le réalisateur cherchait à éviter au maximum des scènes d'hystérie provoquées par des adolescents fans du « King ». Malheureusement pour lui, les jeunes des environs chercheront par tous les moyens à approcher leur idole. Les anecdotes de fans ne manquent d'ailleurs pas : des évanouissements en série, des bribes de conversation échangées, ou encore pour Sue Waters, une jeune fille de 18 ans plus chanceuse, quatre rendez-vous galants avec Elvis.

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