On 1 December 2020, the 167th General Assembly of the Bureau International des Expositions (BIE) formally recognised the 23rd edition of the International Exhibition of Triennale Milano, taking place between 20 May and 20 November 2022 under the theme “Unknown Unknowns”. To mark this important step, Stefano Boeri, President of Triennale Milano, reflects on the past, present and future of the International Exhibition of Triennale Milano.
The XXII Triennale di Milano, themed “Broken Nature: Design Takes on Human Survival” will open to the public on 1 March 2019. In an interview with the BIE, the President of the Triennale di Milano Foundation, Stefano Boeri, and the Curator of the XXII Triennale, Paola Antonelli, explain how this 22nd edition will explore the role of design in addressing the compromised bonds that connect humans to the natural environment.
Over six months after Expo 2015 Milano closed its gates and international participants lowered their flags, the Expo site partially reopened today to host a range of activities for the summer period. Residents and visitors alike are now able to access a 19-hectare area of the site for free, with the key attraction being the ‘City after the City’ exhibition series, which is part of the six-month XX1 Triennale di Milano design fair.
The area, which has been dubbed ‘Experience rESTATEaMilano’, includes the central part of the Expo site featuring the symbolic Tree of Life as well as the Palazzo Italia and the Lombardy pavilion. The zone is open between 3pm-11pm on Fridays, Saturdays and Sundays between 27 May and 30 September.
As the home of the Triennale di Milano, the Palazzo dell’Arte is a permanent edifice to the Italian design tradition as well as its modern day hub. The Palazzo, which is also known as the Palazzo della Triennale or the Palazzo Bernocchi, features research centres, conference rooms, bookshops, theatres, restaurants and a bar. It is located at the heart of the Italian design scene in Parco Sempione in Milan.
The history of the Palazzo dell’Arte goes back to Italian senator and philanthropist Antonio Bernocchi, who was a leading figure in the Italian textile industry. The Bernocchi brothers’ company, Bernocchi SpA, commissioned the Luminator Bernocchi, an innovative lamp that was both a work of art and a practical solution to illuminate garments from above without burning the fabric. The Luminator, which was designed by Luciano Baldessari, was showcased in the Italian Pavilion at the 1929 World Expo in Barcelona, and its success as an object of industrial design inspired the idea behind the establishment of a museum dedicated to design as well as art.