As well as the many cutting-edge technologies introduced at Expos over the years, some more ordinary – but not less important – items of daily wear have also made their début, including the bra.
Creating magnificent structures for Expos is not only a question of design, it is also one of overcoming obstacles, building under various constraints, and pushing boundaries in the use of innovative techniques and approaches. This is notably the case for Charles Girault, who took on the hefty task of coordinating three separate designs in order to build an enchanting palace of fine arts – the Grand Palais - for Expo 1900 Paris.
With its impressive glass nave rising between the Champs-Elysées and the Seine River, the Grand Palais was built following a long selection process in which it was decided to combine the three winning entries by Henri-Adolphe Deglane, Albert Louvet and Albert Thomas. Charles Girault was given the responsibility of overseeing and supervising the mammoth project – and reconciling the designs of all architects involved.
Expo 1900 Paris featured awe-inspiring pavilions that showcased the ingenuity of participating countries, but one exhibit that stood out was the stunning Palais de l’Electricité (the Palace of Electricity), which was as remarkable for its beauty as its essential function on the Expo site.
Designed by Eugène Hénard, this architectural marvel was a 130-metre-long and 70-metre-high façade, covered with thin stained glass and an intricately designed ceramic decoration; crowned at the top by a chariot drawn by hippogriffs spewing showers of multi-coloured flames.
Le Grand Palais – one of the most splendid buildings in Paris and a legacy of the city’s extraordinary World Expo in 1900 – is set to undergo a large-scale renovation, according to a recent announcement from its President, Sylvie Hubac. The aim of the works, which will take place between 2020 and 2024, is to bring greater flexibility and openness to the colossal structure, which is composed of several halls and venues.
The renovation programme will return the Grand Palais to its original splendour, removing internal walls and reusing the structure’s existing large bay windows and balconies. As a result, the capacity of the mammoth Nave – the main hall that hosts events including fashion shows, contemporary art fairs and show-jumping competitions - is set to double to 11,000 people.