Knute Berger is a Seattle-based author, journalist, and commentator with a longstanding interest in Expos. He is the award-winning "Mossback" columnist for the Cascade Public Media news site Crosscut.com, Writer-in-Residence at the Space Needle, where he serves as consulting historian, and Editor-at-Large for Seattle magazine. He has written several publications including “Space Needle, Spirit of Seattle”, and is a regular commentator on public radio.
Fifty-six years on, “Paul’s Paraboloid”—otherwise known as KeyArena and formerly known as the Coliseum—is going to be reborn as a shelter for Seattle’s own, brand-new National Hockey League hockey franchise. On 4 December, the NHL announced the approval of an expansion franchise in Seattle for the 2021-22 season, citing the city’s thriving market and the promise of a new “spectacularly re-designed” state-of-the-art facility. The total cost of the expansion, including the expansion fee for the hockey team and cost of the renovations, at $1.4 billion.
The arena’s roof, said to be shaped like a native Salish woven hat, was designed by Northwest modern architect Paul Thiry to top a three-acre facility for the Seattle World’s Fair of 1962. Originally it housed Washington state’s exhibits featuring a new-fangled machine called a UNIVAC computer and such exotic amenities as the Bubbleator—a plastic elevator that “took” visitors into an exhibit of the World of Tomorrow showcasing both hopeful and scary possible futures in the 21st century.
On April 21, 1962 the Century 21 Exposition opened its gates in Seattle. The six-month Expo attracted some 10 million visitors and left an indelible vision of what the future would be like for a generation coming of age in the Space Age.
The Expo was developed during the early efforts to get humans into space. It featured the first pavilion ever by NASA, the United States’ space agency. It was funded in part by federal spending spurred by the Soviet’s launch of the satellite Sputnik. And it was built during the first successful manned space flights. John Glenn’s Friendship 7 space capsule, in which the astronaut orbited the earth, was exhibited at the Expo, which was also visited by astronauts and cosmonauts.
Fifty-five years ago today, on 21 October 1962, the Seattle World’s Fair, also known as the Century 21 Exposition or Expo 1962, closed its six-month run. It had been an unqualified success with some 10 million visitors. It made a small profit, raised awareness of Seattle’s emergence as a modern tech city and provided the city with a recognisable international symbol in the Space Needle.
Striking the set on the first Space Age Expo was not the end of the story. The fair came to be because in the mid-1950s city voters had approved funding for a “civic center,” and fair boosters used that funding to leverage additional public and private money for an Expo that would result in a permanent cultural hub.
I just returned from a visit to Expo 2017 in Kazakhstan and thoroughly enjoyed my visit. Though it’s a small fair in a remote country (at least for those of us in the USA), I thought it was well done and offered more than expected.
Here a few things I enjoyed about it, and one thing I didn't.
Every Expo is a one-of-a-kind experience. Yet there are things they have in common that make the case for why everyone should go to one.
With Expo 2017 Astana coming up, here are my top reasons to go:
On April 21, 1962 - 55 years ago - Seattle’s Century 21 Exposition, also called the Seattle World’s Fair, opened its gates. My first memory of the fair dates from late 1961 when my Cub Scout group went to the top of a downtown office building. From there we could see the Space Needle rising—its iconic saucer top was just taking shape. We boys—I was eight years old at the time—were thrilled.
The theme of Century 21 was exactly one to inspire us: “Man in the Space Age.” Our small city in the far Northwest of America was becoming ground zero for the New Frontier. Science fiction was becoming reality.