The Hive comes back to life in Kew Gardens

The Hive comes back to life in Kew Gardens

After ending its highly praised exhibition as the UK Pavilion at Expo 2015 Milan, The Hive, winner of the BIE gold medal for architecture and landscape (pavilions less than 2,000m2), is starting a new life in the Royal Botanic Gardens at Kew, in London. The iconic structure will be open to the public tomorrow, Saturday 18 June.

Expo 2015 Milan was organised under the theme ‘Feeding the Planet, Energy for Life’, and the Hive was the centrepiece of the UK’s participation in the Expo. The pavilion, which received over 3 million visits during the Expo, was designed by renowned architect Wolfgang Buttress and was dedicated to the role of bees in carrying out pollination. The contribution of these insects as pollinators is necessary for the reproduction of many plant species, making bees crucial to the global ecosystem and to the food chain. The Hive’s message draws attention to the importance of protecting bee species.

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Expo 2015 Milan site reopens to public with Triennale exhibition

Expo 2015 Milan site reopens to public with Triennale exhibition

Over six months after Expo 2015 Milano closed its gates and international participants lowered their flags, the Expo site partially reopened today to host a range of activities for the summer period. Residents and visitors alike are now able to access a 19-hectare area of the site for free, with the key attraction being the ‘City after the City’ exhibition series, which is part of the six-month XX1 Triennale di Milano design fair.

The area, which has been dubbed ‘Experience rESTATEaMilano’, includes the central part of the Expo site featuring the symbolic Tree of Life as well as the Palazzo Italia and the Lombardy pavilion. The zone is open between 3pm-11pm on Fridays, Saturdays and Sundays between 27 May and 30 September.

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Expo 2015's Organizers Reveal a Hint of Things to Come

In 1999, 2004, 2009, and now 2014, I've had the opportunity to experience an Expo city within a year of its debut on the world stage. In all four cases (Hannover's Expo 2000, Aichi's Expo 2005, Shanghai's Expo 2010, and Milan's Expo 2015), you get the feeling that the city doesn't quite know what to expect just yet. In all four cases, much of what's going to happen in the next year is still a mystery. What is this big event that has been in the planning on construction stage for years?

One of the challenges for Expo organizers is communicating to the public what to expect. The organizers of Expo 2015 have taken the step of creating the Expo Gate, a preview center that's open to the public. The temporary landmark, created by Scandurra Studio, is situated just outside Sforzesco Castle, which was part of the site of the 1906 Universal Exposition. It will also serve as a ticket center, conveniently located in the center of town.

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Walt Disney and World's Fairs, Part 3

When writing parts 1 and 2 about the connections between Walt Disney, the company he founded, and world's fairs, I hadn't planned on writing a part 3, but apparently, the story won't end just yet.

Every world's fair since 1984 has had a mascot, a character designed to anthropomorphize the ideals of the expo and appeal to younger guests. As you might imagine, it's a challenging and rewarding task and the most successful mascots go on to embody the expo and its ideals long after the event's closing day.

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Walt Disney and World's Fairs, Part 2

Walt Disney's greatest contribution to the world of world's fairs was at an event that wasn't officially recognized by the BIE, but nonetheless has gone on to become an important celebration and beloved memory for many in the United States: the 1964-1965 New York World's Fair.

Because the 1964-1965 New York World's Fair wasn't officially recognized by the BIE, participation by foreign countries was greatly reduced. To remedy that gap in content, the organizers chose to rely on corporations and US states more than would typically be done. At the same time, Walt Disney was looking for opportunities to connect with American corporations and let them "foot the bill" for his own artistic and technological experimentation.

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Les billets rédigés par les contributeurs externes à l'Organisation ne reflètent pas nécessairement les points de vue et la position du BIE