Blog des Expos

Le blog des Expos est un espace de publication de billets sur l’histoire, les thèmes, les legs et les expériences des Expos. Ces textes sont écrits par le BIE ou par des contributeurs externes à l’organisation.


Urso Chappell is a San Francisco-based designer, writer, and consultant. Born on the former site of the 1904 World's Fair in St. Louis, he has attended nine expos thus far. In 1998, he founded As a designer, he was the winner of Expo 2005's Linimo Design Contest in 2004. He has reported on various expos and consults for future expos and expo bids.

Walt Disney and World's Fairs, Part 2

Walt Disney's greatest contribution to the world of world's fairs was at an event that wasn't officially recognized by the BIE, but nonetheless has gone on to become an important celebration and beloved memory for many in the United States: the 1964-1965 New York World's Fair.

Because the 1964-1965 New York World's Fair wasn't officially recognized by the BIE, participation by foreign countries was greatly reduced. To remedy that gap in content, the organizers chose to rely on corporations and US states more than would typically be done. At the same time, Walt Disney was looking for opportunities to connect with American corporations and let them "foot the bill" for his own artistic and technological experimentation.

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Walt Disney and World's Fairs, Part 1

I’ve written before about how many Americans are unaware that expos (or “world’s fairs,” as we tend to call them here) still happen. Similarly, the millions of people who live in countries that have hosted expos in the last couple of decades are sometimes unaware of America’s contributions to the medium throughout history. Walt Disney’s story is emblematic about how 20th Century United States history and world’s fair history are intertwined.

I see it as part of my mission to keep world’s fairs and the United States from drifting apart. Fortunately, working at the Walt Disney Family Museum, I have the privilege of interacting regularly with other folks who are also passionate about the power of places.

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Torontonians Hope to End North America's World's Fair Drought in 2025

I've mentioned in this blog before that groups in Houston, San Francisco, and Minneapolis-St. Paul have looked at finding ways to get the United States back into the BIE so that cities can bid for Expo 2022, Expo 2023, or Expo 2025, but parallel efforts are also under way in Canada.

After Edmonton's bid efforts for 2017 were killed off by Canada's federal government, interests in Toronto, headed by City Councillor Kristyn Wong-Tam, started looking at Expo 2025. Last year, those efforts seemed to have been killed by the Canadian federal government's decision to discontinue its membership in the BIE, but this month, it looks like there's a renewed push for Expo 2025 and an effort to keep Canada in the BIE.

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Vote for Expo 2017's Logo

The organizers of Expo 2017 in Astana, Kazakhstan are asking the public to vote for which of seven logos will be used to express the identity of Central Asia's first world's fair. Here are the seven choices.


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Filmmaker Jeffrey Ford asks “Where’s the Fair?”

In my last entry, I talked about the state of expos in the United States. It’s a difficult topic to address to an American audience since there are a number of big issues here. These issues include: the lack of US participation in two recent foreign expositions, the lower quality of the presentations that did happen, the lack of transparency behind those efforts, as well as the lack of any world’s fairs on US soil in nearly 30 years. This is made even more difficult because the vast majority of Americans are unaware that expos still exist. Many younger people have never even heard of the medium – no matter if you call them “expos" (as most of the world does) or “world’s fairs” (as most Americans do).


Filmmaker Jeffrey Ford started wondering a few years ago what ever happened to world’s fairs. They inspired generations and he began to wonder, after a chance purchase of old View-Master Reels, whatever happened to the medium. The film begins by documenting his own journey to answer his own question: What happened to the world’s fair?


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Les billets rédigés par les contributeurs externes à l'Organisation ne reflètent pas nécessairement les points de vue et la position du BIE