Zaragoza's Bridge Pavilion reopens to the public

Zaragoza's Bridge Pavilion reopens to the public

The long term architectural contribution of an Expo to the city in which it took place – its legacy – is of significant interest to residents and visitors to the city. Planning the physical legacy of the Expo as part of the transformation that it brings to the city is a prerequisite to hosting a successful Expo.

Zaragoza’s iconic Bridge Pavilion (Pabellón Puente), designed by Zaha Hadid for Expo 2008, is one such monument that continues to stand to this day. It reopened to the public on 6 May 2016 and will remain open until 6 November. The pedestrian bridge is open from Monday to Sunday from 10am to 2pm and from 5pm to 9pm.

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Walt Disney and World's Fairs, Part 2

Walt Disney's greatest contribution to the world of world's fairs was at an event that wasn't officially recognized by the BIE, but nonetheless has gone on to become an important celebration and beloved memory for many in the United States: the 1964-1965 New York World's Fair.

Because the 1964-1965 New York World's Fair wasn't officially recognized by the BIE, participation by foreign countries was greatly reduced. To remedy that gap in content, the organizers chose to rely on corporations and US states more than would typically be done. At the same time, Walt Disney was looking for opportunities to connect with American corporations and let them "foot the bill" for his own artistic and technological experimentation.

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Filmmaker Jeffrey Ford asks “Where’s the Fair?”

In my last entry, I talked about the state of expos in the United States. It’s a difficult topic to address to an American audience since there are a number of big issues here. These issues include: the lack of US participation in two recent foreign expositions, the lower quality of the presentations that did happen, the lack of transparency behind those efforts, as well as the lack of any world’s fairs on US soil in nearly 30 years. This is made even more difficult because the vast majority of Americans are unaware that expos still exist. Many younger people have never even heard of the medium – no matter if you call them “expos" (as most of the world does) or “world’s fairs” (as most Americans do).


Filmmaker Jeffrey Ford started wondering a few years ago what ever happened to world’s fairs. They inspired generations and he began to wonder, after a chance purchase of old View-Master Reels, whatever happened to the medium. The film begins by documenting his own journey to answer his own question: What happened to the world’s fair?


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