Expo Blog

The Expo Blog is a space for posts on the history, themes, legacies and experience of Expos. It includes articles from the BIE and external contributors.

 

Urso Chappell is a San Francisco-based designer, writer, and consultant. Born on the former site of the 1904 World's Fair in St. Louis, he has attended nine expos thus far. In 1998, he founded ExpoMuseum.com. As a designer, he was the winner of Expo 2005's Linimo Design Contest in 2004. He has reported on various expos and consults for future expos and expo bids.

Sending Your City to College

I'm often called upon to explain what world's fairs are and what kind of impact they can have on a city, a region, or a country. Here in North America, that can be a daunting task because generations have now grown up not having had the chance to experience a world's fair firsthand.

Not surprisingly, people focus on the economics of world's fairs. Do they make money?

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Emily Graslie on the 1893 Chicago World's Fair

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Dubai Wins the Right to Host Expo 2020

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Walt Disney and World's Fairs, Part 3

When writing parts 1 and 2 about the connections between Walt Disney, the company he founded, and world's fairs, I hadn't planned on writing a part 3, but apparently, the story won't end just yet.

Every world's fair since 1984 has had a mascot, a character designed to anthropomorphize the ideals of the expo and appeal to younger guests. As you might imagine, it's a challenging and rewarding task and the most successful mascots go on to embody the expo and its ideals long after the event's closing day.

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Walt Disney and World's Fairs, Part 2

Walt Disney's greatest contribution to the world of world's fairs was at an event that wasn't officially recognized by the BIE, but nonetheless has gone on to become an important celebration and beloved memory for many in the United States: the 1964-1965 New York World's Fair.

Because the 1964-1965 New York World's Fair wasn't officially recognized by the BIE, participation by foreign countries was greatly reduced. To remedy that gap in content, the organizers chose to rely on corporations and US states more than would typically be done. At the same time, Walt Disney was looking for opportunities to connect with American corporations and let them "foot the bill" for his own artistic and technological experimentation.

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Opinions given by external contributors to the Expo Blog do not necessarily reflect the views and position of the BIE